In our first week of the *Workshop, we had the opportunity to interview Katherine “Kat” Wang ’21 about her experience as a CAMD Scholar. Kat’s spring 2021 presentation, “Turning Over a White Stage: Disrupting White-Affirming Racial Fetishism in ‘Elite’ White Concert Dance,” is still vivid and fresh in the minds of many current students.
In it, she explored how the dance stage objectifies racial bodies, and she used academic frameworks to reflect on her own embodied experiences as a dancer. With this opportunity to interview a recent scholar whose work has been so impactful on students, we kicked off our CAMD Scholars program oral history project, and Kat has already helped us understand how the program has evolved and where it might grow next.
For example, a major question we are investigating is if and how the post-Andover lives of alumni are influenced or affected by their CAMD Scholars experience. Kat shared with us the significance of her close relationship to Ms. Staffaroni [Emma Staffaroni, English instructor, Tang fellow, and director of the Brace Center for Gender Studies] and the potential impact such a close relationship between CAMD coordinators, project faculty advisors, and individual scholars can have academically and personally. Kat reflected on how she valued the creative license permitted to her as she embarked on both an unconventional and personal project, a great strength of the CAMD Scholars program.
We are also asking how and if the integration of the academic, diversity, and social justice skills and knowledge gained through a CAMD Scholars project would transfer beyond Andover. At first glance, it appears that CAMD Scholars take vastly divergent career paths from their projects. We are hoping that our oral history approach will reveal the actual impact of the CAMD Scholars program on participating student scholars which might not be obvious at first.